I work with high-end safari lodges and camps across Kenya and East Africa to create visual language that reflects not just how a place looks, but how it feels to stay there.My approach to photography is rooted in understanding a lodge as a brand. Before a camera comes out, I take time to understand the property’s identity, its rhythm, and the experience it offers guests. The goal is always to create imagery that feels authentic, refined, and commercially effective — photographs that strengthen positioning and allow future guests to imagine themselves already there.

I photograph lodges as they are lived in: the early morning light, the quiet details, the relationship between architecture, landscape, staff, and guests. Each shoot is approached as a considered process rather than a collection of standalone images, resulting in a cohesive visual library designed for long-term use across websites, booking platforms, print, press, and campaigns.

I’ve worked with a range of respected safari lodges including Sirikoi, El Karama, Manda Bay, Pangolin House and others, often in remote locations and active lodge environments. I work calmly and collaboratively, with minimal disruption to guests and daily operations, and a strong awareness of how luxury hospitality functions behind the scenes.

Alongside lodge work, I continue to photograph landscapes and conservation stories across the region. This ongoing engagement with place and environment informs my sensitivity to light, space, and atmosphere — elements that are essential to photographing safari lodges with depth and restraint.

 I’m based in Kenya and work across East Africa.